My practice, therefore, stands as a significant contribution to a post-minimalist tradition where process is philosophy made visible. It demonstrates that:
Material is Thought. The copper is not just a surface; it is a participant in a philosophical inquiry into being and change.
Process is a Form of Thinking. The act of “letting-be” is an active, rigorous, and critical artistic methodology.
The Artwork is an Event. The finished piece is a record of a convergence—a “gathering”—of material forces, guided by a philosophical commitment to openness. It is a visual articulation of both Heidegger’s “letting things be” and Lucretius’s “swerve,” offering a powerful model for an art that explores the very nature of emergence and existence
